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  • Plays
    • Season 25/26
      • THE INVISIBLE HAND
        • Cast – The Invisible Hand
      • GASLIGHT
      • PROOF
      • ALL NEW PEOPLE
  • Specials
    • Irre menschlich
  • Tickets
    • Tickets
    • Prices & Seating Plan
    • Voucher
    • Subscriptions
  • The Theatre
    • Box Office Opening Hours
    • Your Event
    • Foyer & Bar
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    • Archive
    • Jobs
  • Media & Study Guide
  • Support Us
    • Donation
    • Chair Patronage

Yearly Archives: 2020

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  2. 2020

AN INSPECTOR CALLS by J. B. Priestley

1998/1997, ArchiveBy English Theatre of Hamburg8. December 2020

AN INSPECTOR CALLS is  usually seen as a social message wrapped in a detective story, or thriller. Penned in 1945 but set in 1912, the author was writing from his personal experience of two world wars and was warning of another one to come unless people changed their behaviour. For him this meant taking moral…

ABSURD PERSON SINGULAR by Alan Ayckbourn

1998/1997, ArchiveBy English Theatre of Hamburg8. December 2020

ABSURD PERSON SINGULAR takes place on three successive Christmas Eves in the kitchens of three different couples. In Act I, the “lower-class” but ambitious Hopcrofts give a party for their bank manager and his wife, and an architect neighbour. The Hopcrofts are nervous because the people they have invited might be useful to them on their…

BETRAYAL by Harold Pinter

1998/1997, ArchiveBy English Theatre of Hamburg8. December 2020

First produced at the National Theatre in London in 1978, BETRAYAL was a popular success on both sides of the Atlantic. It won, in New York, the Drama Critics Circle Award as best foreign play and, in London, the West End Award as best play of the season. It was filmed in 1983 with Ben…

BUTTERFLIES ARE FREE by Leonard Gersche

1998/1997, ArchiveBy English Theatre of Hamburg8. December 2020

BUTTERFLIES ARE FREE was first produced at the Booth Theatre in New York and was named the best play of the 1969/70 season. Eileen Hekkart played the mother, Keir Dullea her son Don, and Blythe Danner did the part of Jill. Ralph was played by Michael Glaser. The film version, which followed three years later…

WHY NOT STAY FOR BREAKFAST by Gene Stone and Ray Cooney

1999/1998, ArchiveBy English Theatre of Hamburg8. December 2020

In CALIFORWHY NOT STAY FOR BREAKFAST? has never failed to delight audiences, both young and old, with its comic treatment of the generation gap. It was a particular favourite when the English Theatre of Hamburg produced it in 1981 and again in 1989. The comedy opened at the Apollo Theatre, London, in 1973 and played…

CALIFORNIA SUITE by Neil Simon

1999/1998, ArchiveBy English Theatre of Hamburg8. December 2020

In CALIFORNIA SUITE Neil Simon is again the witty and accurate observer of marital and family relationships. He is also at his most humane and compassionate. This humorous confection is divided into four parts, each with a different situation and different characters. In “Visitor from New York

STAGE STRUCK by Simon Gray

1999/1998, ArchiveBy English Theatre of Hamburg8. December 2020

STAGE STRUCK opens in the living room of one Robert Simon, a failed actor, but at one time a first-rate stage manager. Without any money of his own, he now keeps house for Anne, his successful West End actress-wife, and supports this rich, ambitious woman in every way possible. But she, believing him to have…

CANDIDA by G. B. Shaw

1999/1998, ArchiveBy English Theatre of Hamburg8. December 2020

Shaw had two categories for his plays, those that were “pleasant

MURDER IN GREEN MEADOWS by Douglas Post

2000/1999, ArchiveBy English Theatre of Hamburg8. December 2020

MURDER IN GREEN MEADOWS was first produced in 1986 as a one-act teleplay, as part of the NBC Chicago Playwrights Festival, in a cooperative venture between WMAQ-TV and the Steppenwolf Theatre Company in Chicago, Illinois. It received its world premiere as a full length two-act play at the Nuffield Theatre in Southampton, England in 1992.…

RELATIVELY SPEAKING by Alan Ayckbourn

2000/1999, ArchiveBy English Theatre of Hamburg8. December 2020

RELATIVELY SPEAKING concerns two couples, one young and one middle-aged, each containing one unfaithful partner. Greg wants to marry Ginny, who has only recently broken off an affair with her boss, Philip. Ginny goes down to Philip’s country home to get back some love letters, after telling Greg that she is going to visit her…

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