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The English Theatre of HamburgThe English Theatre of Hamburg
  • Plays
    • Season 25/26
      • THE INVISIBLE HAND
        • Cast – The Invisible Hand
      • GASLIGHT
      • PROOF
      • ALL NEW PEOPLE
  • Specials
  • Tickets & Dates
    • Tickets & Dates
    • Prices & Seating Plan
    • Voucher
    • Subscriptions
  • The Theatre
    • Box Office Opening Hours
    • Your Event
    • Foyer & Bar
    • Contact
    • Archive
    • Jobs
  • Media & Study Guide
  • Support Us
    • Donation
    • Chair Patronage

Category Archives: 2002/2001

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  2. Category "2002/2001"

SAME TIME, NEXT YEAR by Bernard Slade

2002/2001, ArchiveBy English Theatre of Hamburg8. December 2020

This long-running Broadway comedy (also a popular film) is not only about a love affair taking place once a year. It is also a reflection of 25 years of American manners, morals and attitudes mirrored in the changing lives and personalities of its two characters. George picks up Doris in a California inn in 1951,…

I AM A CAMERA by John van Druten

2002/2001, ArchiveBy English Theatre of Hamburg8. December 2020

This play (as well as the musical CABARET) was adapted from THE BERLIN STORIES of Christopher Isherwood (1904—1986). It looks at life in a Berlin rooming house of 1930 with a photographic eye. Chris is a struggling young writer whose novel, I AM A CAMERA, concerns the events occurring around him in the Berlin of…

DON’T MISUNDERSTAND ME by Patrick Cargill

2002/2001, ArchiveBy English Theatre of Hamburg8. December 2020

DON’T MISUNDERSTAND ME opened in May of 1984 at the Thorndike Theatre, Leatherhead. From the very beginning the play has been extremely popular with audiences and critics. After a tour of Sweden in 1985 and the U.K. in 1986, the play has gone on to successful runs in theatres across the U.K. and abroad. This…

I’LL BE BACK BEFORE MIDNIGHT by Peter Colley

2002/2001, ArchiveBy English Theatre of Hamburg8. December 2020

I’LL BE BACK BEFORE MIDNIGHT! was named in a recent Toronto Globe & Mail retrospective on Canadian theatre as “probably the most produced Canadian play ever.” The play has grossed over $8 million world wide, and has had countless productions in Canada, the USA and Europe, placing the author among the top playwrights working in…

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