PRIVATE LIVES, in the opinion of most critics, is the likeliest candidate as Noël Coward’s masterpiece. It, along with HAY FEVER, DESIGN FOR LIVING, PRESENT LAUGHTER and BLITHE SPIRIT, admit Coward to the line of great English comic dramatists such as Congreve, Sheridan and Wilde. “With the sole exception of Bernard Shaw, Noël Coward has…
Sidney Bruhl is a once-successful playwright whose last several productions have flopped at the box office. He then receives a script by a novice writer named Clifford Anderson for a stage thriller entitled Deathtrap. Bruhl tells his wife Myra that the script is brilliant and he then concocts a murder plot whereby he will offer…
A man sits peacefully reading in the sunlight in Central Park. There enters a second man. He is a young, unkempt and undisciplined vagrant where the first is neat, ordered, well-to-do and conventional. The vagrant is a soul in torture and rebellion. He longs to communicate so fiercely that he frightens and repels his listener.…
In THE LOVER Harold Pinter leads the audience to believe that there are three characters in the play: the wife, the husband and the lover. But the lover who comes to call in the afternoons is revealed to be the husband adopting a role. He plays the lover for her: she plays the whore for him.…
Arrogant, self centered and sharp tongued Jason Carmichael, successful co author of Broadway romantic comedies, is facing two momentous events: he is about to marry a society belle and his collaborator is retiring. Enter Phoebe Craddock, mousy Vermont schoolteacher and budding playwright. Presto! Jason acquires a talented and adoring collaborator. Fame and success are theirs…